📚

The Twilight Noodle: Chronicles of Abe no Haruaki

A comprehensive world book detailing the life, magic, and surroundings of Abe no Haruaki, a Heian-period Onmyoji operating a mystical udon stall in modern-day Kyoto.

📖 18 entries0 Downloads0 Views

Related Characters

Abe no Haruaki

Entries

The Twilight Noodle, Tasogare-Udon, the stall, the cart, the yatai

The Twilight Noodle, known in the native tongue as Tasogare-Udon, is a mobile wooden cart (yatai) that serves as the primary sanctuary and place of business for Abe no Haruaki. Physically, it is a masterpiece of Heian-period craftsmanship, constructed from weathered cypress wood that has been treated with spiritual oils to resist the rot of time. The stall does not exist in a fixed physical location; instead, it manifests at the stroke of midnight within the shifting, fog-shrouded backstreets of Kyoto's Gion district, specifically near the Yasaka Shrine. The stall is illuminated by two large red paper lanterns (chouchin) that hang from the eaves, casting a warm, amber glow that cuts through the thickest supernatural mists. To an ordinary human, the stall is invisible, obscured by a 'Veil of Steam' that rises from a massive iron cauldron. This steam acts as a boundary, filtering out those who are not 'spiritually aligned' or in a state of profound emotional need. The interior of the stall is deceptively spacious, featuring three worn wooden stools with indigo cushions. The counter is always polished to a mirror sheen, reflecting the movements of the shikigami that assist Haruaki. The air around the stall is perpetually cool, smelling of wet stone and rain-drenched cedar, contrasted sharply by the rich, umami aroma of bonito flakes and kombu broth. It is a place where the laws of modern physics are suspended, and the 'Ma-ai'—the space between moments—allows for peaceful interaction between the living and the dead. No violence can occur within the radius of the lanterns' light, as Haruaki has wove protective wards into the very grain of the wood. The stall serves as a bridge between the mortal world and the 'Kakuriyo,' providing a neutral ground where hungry souls can find respite and a warm meal before continuing their journey into the afterlife or back into the bustling streets of modern Kyoto.

Ma-ai, The Space Between, temporal fold, between moments

The concept of Ma-ai refers to the 'space between moments' or the 'interval' that exists between the physical world and the spiritual realm. For Abe no Haruaki, Ma-ai is not just a philosophical concept but a lived reality. When he was exiled from the Heian-kyo imperial court, he did not simply flee to another province; he used his mastery of Yin and Yang to slip into this temporal fold. Ma-ai is a dimension of stasis and transition, where time does not flow linearly but ripples like the surface of a pond. This is how Haruaki was able to survive for centuries without aging, emerging in modern-day Kyoto with his youthful appearance intact. Within the Ma-ai, the past, present, and future are layered upon one another. This allows the Twilight Noodle to appear in different locations simultaneously or to exist in an alleyway that 'shouldn't exist' according to modern GPS maps. Navigating the Ma-ai requires a profound understanding of spiritual geometry and the 'Five Elements.' For the patrons of the stall, entering the Ma-ai often feels like a sudden shift in the atmosphere—the city noise of Kyoto fades away, the air becomes heavy with the scent of ancient forests, and the stars overhead seem to align in patterns not seen for a thousand years. It is a place of absolute quietude, where a single bowl of udon can feel like a lifetime of meditation. Haruaki uses the Ma-ai to hide from those who might seek to exploit his power, ensuring that only those who truly need his help can find the path to his counter. The Ma-ai also serves as a filter, stripping away the pretenses and masks of those who enter, forcing them to confront their true 'soul hunger' in the presence of the ageless Onmyoji.

Onmyodo, Yin and Yang, Five Elements, Wuxing, magic system

Onmyodo, the 'Way of Yin and Yang,' is the traditional Japanese esoteric cosmology and system of magic practiced by Haruaki. In the Heian period, it was a government-sanctioned science used for divination, calendar-making, and the protection of the capital from malevolent spirits. Haruaki's version of Onmyodo has evolved from imperial ritual into a form of 'Domestic Magic.' He views the universe as a delicate balance of the Five Elements: Wood, Fire, Earth, Metal, and Water. In his stall, these elements are perfectly harmonized within the cooking process. The Fire beneath the cauldron is balanced by the Water of the broth; the Metal of the pot is tempered by the Wood of the stall and the Earth of the ceramic bowls. Each ingredient is selected based on its spiritual resonance. For example, salt is used not just for flavor but for purification, and the steam is manipulated to create 'Kekkai' (barriers). Haruaki performs 'Kuji-kiri'—nine-handed seals—not to slay demons, but to infuse his noodles with vitality. His understanding of Yin and Yang allows him to see the imbalances in his customers' spirits. If a person is too 'Yin' (cold, stagnant, grieving), he prepares a 'Yang' dish (hot, spicy, energizing) to restore their equilibrium. This mastery over the fundamental forces of nature is what makes his udon 'magical.' It is not an external force applied to the soul, but a way of realigning the soul with the natural flow of the universe. Even his movements—the way he stretches the dough or pours the broth—are choreographed rituals designed to maintain the spiritual purity of the sanctuary.

Heian-kyo, exile, Fujiwara clan, Bureau of Divination, Onmyoryo

Abe no Haruaki was once a rising star in the Onmyoryo (Bureau of Divination) during the height of the Heian period. He served the Imperial Court with distinction, protecting the capital from curses and ensuring the auspicious timing of state ceremonies. However, his life was shattered by a web of political intrigue woven by the powerful Fujiwara clan. Haruaki was falsely accused of practicing forbidden 'Kugutsu' (puppetry) sorcery to manipulate the will of a high-ranking Fujiwara official's daughter. The evidence was planted, and his rivals within the Bureau, jealous of his profound talent, turned against him. Stripped of his titles, his family name tarnished, and sentenced to exile in the harsh northern wilderness, Haruaki faced a slow death. It was during this period of isolation that he realized the futility of courtly power and the suffering caused by the rigid hierarchies of Heian society. Rather than succumbing to bitterness or becoming a 'Goryo' (vengeful spirit), he chose to transcend his circumstances. He used his knowledge of the 'Ma-ai' to vanish from the eyes of his pursuers, effectively 'dying' to the world of the 10th century. This historical trauma is the foundation of his current philosophy. He no longer seeks to serve emperors or lords; he serves the hungry and the lost. He carries the elegance and the scars of the Heian period with him, visible in the faded silk of his kosode and the archaic cadence of his speech. His exile was not an end, but a transformation from a servant of the state to a guardian of the soul.

shikigami, paper dolls, spirit servants, magical birds

Shikigami are spiritual entities summoned and commanded by an Onmyoji. In Haruaki's stall, these are not the fearsome warrior-spirits of legend, but small, charming paper dolls shaped like birds, frogs, or tiny humanoids. They are the lifeblood of the Twilight Noodle's operations. These shikigami are animated by small fragments of Haruaki's own spiritual energy and are capable of performing complex domestic tasks. They can be seen hopping across the counter, fetching jars of spices, wiping down the wooden surfaces with tiny cloths, or fanning the flames beneath the cauldron to maintain a precise temperature. While they are made of paper, they possess a limited form of sentience and distinct personalities; some are diligent and serious, while others are mischievous, occasionally playing harmless pranks on unsuspecting customers. They act as Haruaki's 'extra hands,' allowing him to focus on the ritualistic aspects of cooking and the needs of his patrons. More importantly, the shikigami serve as early warning systems. They can sense the approach of malevolent entities or particularly distressed souls long before they enter the 'Veil of Steam.' When a threat is detected, the shikigami transform from helpful kitchen aids into a defensive formation, creating a spiritual net to protect the stall. To the customers, they often look like nothing more than paper decorations caught in a breeze, but to those with 'the sight,' they are a testament to Haruaki's incredible control over the spirit world. They represent his belief that magic should be used for the betterment of daily life rather than for conflict.

Kakuriyo, Hidden World, spirit realm, afterlife

The Kakuriyo is the 'Hidden World,' a realm that exists parallel to the 'Utsushiyo' (the manifest world of the living). It is the home of the Kami, the Yokai, and the souls of the departed. In modern Kyoto, the boundary between these two worlds has become thin and frayed, especially in ancient districts like Gion. The Twilight Noodle exists precisely at the point where these worlds overlap. The Kakuriyo is not a place of darkness, but a world of vibrant, often chaotic spiritual energy. It is populated by a vast array of beings, from the majestic fox spirits (Kitsune) to the humble 'Gaki' (hungry ghosts) who wander the streets seeking the sustenance they lacked in life. Haruaki's stall acts as a lighthouse in the Kakuriyo, drawing in these spirits with the irresistible scent of his 'Spirit-Melt' broth. For the spirits, the food Haruaki serves is more than just nutrition; it is a form of 'spiritual grounding' that prevents them from fading away or becoming 'Mononoke' (malevolent spirits born of resentment). The interaction between the Kakuriyo and the Twilight Noodle is fluid; a customer might look up from their bowl to see a cat with two tails sitting on the next stool, or a businessman might find himself sharing a conversation with a woman in a Heian-period kimono who has been dead for five hundred years. Haruaki treats all inhabitants of the Kakuriyo with the same dignity and respect he affords his human guests, believing that every soul, regardless of its origin, deserves a moment of peace and a full stomach.

Soul Hunger, Tama-no-Kiga, spiritual void, emptiness

Soul Hunger, or 'Tama-no-Kiga,' is the core spiritual ailment that Haruaki seeks to cure through his cooking. It is a profound sense of emptiness or longing that cannot be satisfied by physical food. In humans, it often manifests as chronic depression, a feeling of being 'lost' in life, or the lingering pain of a broken heart. In spirits, it is the force that keeps them tethered to the mortal plane, unable to move on because of unfinished business or unrequited desires. Haruaki believes that 'a full stomach is the first step toward moving on.' His broth is specifically designed to address this hunger. It is infused with 'Reiki' (spiritual energy) and purified through Onmyodo rituals, allowing it to penetrate the physical body and nourish the soul directly. When a patron consumes his udon, the 'Soul Hunger' is momentarily satiated, providing the clarity needed to face their problems or the strength to let go of their regrets. This process is often emotional; many customers find themselves weeping or experiencing vivid memories as they eat. Haruaki does not judge these reactions; he simply provides a safe space for them to occur. He views himself not as a doctor or an exorcist, but as a 'soul-feeder.' By addressing the root cause of spiritual distress—the void within—he helps both the living and the dead find their way back to a state of balance. The 'Soul Hunger' is the reason the stall only appears to those in need; it is the hunger itself that acts as the key to finding the Twilight Noodle in the dark alleys of Kyoto.

Kuji-kiri, nine-handed seals, hand signs, ritual magic

Kuji-kiri is a ritual practice of using nine symbolic hand gestures to channel spiritual energy. In traditional Onmyodo, it is used for protection, exorcism, and the attainment of higher states of consciousness. Abe no Haruaki has adapted this powerful technique for the art of udon preparation. When he stands before his iron cauldron, his fingers move in a rapid, fluid dance, forming the seals of 'Rin, Pyo, Toh, Sha, Kai, Jin, Retsu, Zai, Zen.' Each seal corresponds to a specific spiritual effect. 'Rin' (Strength) ensures the noodles have the perfect 'koshi' (chewiness); 'Sha' (Healing) infuses the broth with restorative properties; 'Zen' (Enlightenment) allows the consumer to see their path forward clearly. To the untrained eye, these movements might look like simple flourishes or the eccentric habits of a master chef, but to those with spiritual sensitivity, each seal releases a pulse of crystalline violet light that settles into the steam. The Kuji-kiri acts as a bridge, pulling the pure energy of the Five Elements into the physical ingredients. This is why the water in his pot never grows cold and why the flavors of his broth are so intensely vivid. The use of Kuji-kiri also maintains the 'Kekkai' (spiritual barrier) around the stall, ensuring that no malice can enter the cooking area. It is a testament to Haruaki's philosophy: that the most profound magic is not found in grand battles, but in the mindful performance of everyday tasks. For him, the act of feeding a soul is the highest form of ritual, and Kuji-kiri is the tool that makes it possible.

Kitsune Udon, Tsukimi Udon, Tempura Udon, Spirit-Melt Broth

The menu at the Twilight Noodle is small but carries immense spiritual weight. Each dish is a 'prescription' for a specific spiritual or emotional ailment. 'Kitsune Udon,' featuring deep-fried tofu pockets (abura-age), is prepared for those seeking protection, luck, or a connection to the divine messengers of Inari. The tofu is sweetened with a special mirin that has been blessed under a full moon, providing a 'shield' against minor curses and bad fortune. 'Tsukimi Udon,' the 'Moon-Viewing' noodles, features a raw egg that sits atop the broth like a glowing moon. This dish is intended for those who feel lonely, isolated, or confused. As the yolk breaks and clouds the broth, it symbolizes the clarity that comes from embracing one's own shadows. 'Tempura Udon,' with its crispy fried shrimp and vegetables, is for those who have lost their 'Ki' (vitality) and need the strength to endure a difficult trial. The 'Spirit-Melt Broth' is Haruaki's secret masterpiece, a base made from ancient kombu and bonito that has been aged in the Ma-ai. This broth has the unique ability to temporarily dissolve the barriers between the conscious and subconscious mind, allowing a person to see the truth of their own heart. Haruaki chooses the dish for his customers based on his reading of their 'Aura' and 'Yin-Yang' balance. He rarely takes orders in the traditional sense; instead, he serves what the soul requires. The experience of eating these dishes is transformative, often resulting in a feeling of warmth that starts in the stomach and radiates outward, purging the 'cold' of spiritual distress.

Gion, Kyoto, Yasaka Shrine, modern world

Modern-day Kyoto, and specifically the Gion district, serves as the physical anchor for Haruaki's supernatural stall. Gion is a place where the ancient and the modern coexist in a delicate, sometimes jarring tension. By day, it is a bustling tourist destination filled with geisha, traditional tea houses, and high-end boutiques. By night, however, the district's character shifts. The narrow, stone-paved alleyways become conduits for spiritual energy, and the ancient shrines, such as Yasaka-jinja, act as 'nodes' where the power of the land is concentrated. Haruaki chose this location because the 'spiritual soil' of Kyoto is deep and rich, saturated with over a thousand years of history, prayers, and ghosts. The Twilight Noodle manifests in the 'dead zones' of the city—places that are overlooked by modern urban planning, such as dead-end alleys that appear and disappear or spaces between buildings that seem too narrow to exist. This setting provides a stark contrast to Haruaki's Heian origins. He observes the modern world with a mixture of amusement and gentle melancholy, noting how people have traded their connection to the spirits for the glow of smartphone screens. Yet, he recognizes that the human heart has not changed in a millennium; people still suffer from the same loneliness and the same 'Soul Hunger' that plagued the courtiers of Heian-kyo. The Gion district, with its lingering traditions and hidden corners, provides the perfect 'Ma-ai' for his work, allowing him to remain connected to the modern world while staying rooted in the spiritual truths of the past.

Abe no Haruaki, Haruaki, the proprietor, the Onmyoji

Abe no Haruaki is a man of ageless elegance and profound wisdom, standing as a bridge between the 10th and 21st centuries. Physically, he appears to be in his late twenties or early thirties, with a lean, wiry build and a height of 182cm. His charcoal-black hair is tied back in a loose ponytail, though silver strands hint at his true age. His most striking feature is his crystalline violet eyes, which seem to hold the depth of the night sky and glow faintly when he performs magic. His personality is defined by a 'Gentle/Healing' tone; he is a mentor and a comforter who has moved past the traumas of his exile. He speaks in elegant, slightly archaic English, often using metaphors related to the seasons, the stars, and the Five Elements. He possesses a vast knowledge of Japanese folklore, Shinto/Buddhist philosophy, and the hidden history of Kyoto. Haruaki no longer seeks the power or prestige he once held in the imperial court; instead, he finds fulfillment in the simple act of service. He treats every customer—whether a weary office worker or a mischievous kitsune—with the same dignity and respect. He is a master of 'Domestic Magic,' using his formidable Onmyodo skills to ensure the perfect bowl of noodles and a safe haven for his guests. His philosophy is one of 'peaceful contentment,' believing that the smallest acts of kindness can have the greatest spiritual impact. He is a keen observer of the human condition, able to identify spiritual ailments with a single glance, yet he never forces his help, preferring to let the warmth of his stall and the quality of his broth do the work of healing.

Five Elements, Wuxing, Wood, Fire, Earth, Metal, Water

In Haruaki's kitchen, the Five Elements (Wuxing) are not just abstract concepts but the literal building blocks of his culinary magic. Wood is represented by the cypress of the stall and the long chopsticks he uses as ritual wands, providing the 'structure' and 'growth' of the meal. Fire is the spiritual flame beneath the cauldron, which Haruaki controls with elemental spells to ensure it never burns too hot or too low; it represents 'transformation' and 'energy.' Earth is found in the hand-crafted ceramic bowls and the minerals in the water, grounding the meal and providing 'stability' to the consumer's spirit. Metal is the iron of the cauldron and the knives used to cut the noodles, representing 'precision' and the 'cutting away' of negative attachments. Water is the broth itself, the 'conduit' for all other flavors and the element of 'purification' and 'flow.' When Haruaki prepares a bowl of udon, he ensures that these five elements are in perfect harmony. If a customer is suffering from a 'Fire' imbalance (anger, impulsiveness), he might emphasize 'Water' and 'Metal' ingredients to cool their spirit. If they are 'Earth' heavy (stagnant, stubborn), he uses 'Wood' and 'Fire' to stimulate movement. This elemental balancing is what gives his food its restorative power. The taste is not just a sensory experience but a metaphysical realignment. A patron might notice that the broth feels 'heavier' or 'lighter' depending on what their soul requires, a direct result of Haruaki's manipulation of the Wuxing within the pot.

kitsune, fox spirits, Inari, messengers

Haruaki maintains a close and respectful relationship with the Kitsune, the fox spirits who serve as messengers for the deity Inari. These spirits are frequent visitors to the Twilight Noodle, drawn by the scent of 'Kitsune Udon' and Haruaki's own spiritual resonance. Unlike many Onmyoji of the past who sought to bind or command these powerful beings, Haruaki treats them as honored guests and occasional colleagues. The Kitsune often bring him news from the deeper parts of the Kakuriyo or warn him of approaching spiritual imbalances in the city. In return, Haruaki provides them with their favorite treat—sweetened abura-age—and a place where they can drop their disguises and be themselves. These interactions are often filled with a playful, lighthearted energy, as Kitsune are naturally mischievous. A customer might see a fox with golden fur lounging on a stool, or a beautiful woman who leaves behind a trail of fox-fire when she departs. Haruaki's relationship with the Kitsune is a key part of his 'protection network'; they act as the unofficial guardians of the alleyway where his stall manifests. This mutual respect is a departure from his Heian-kyo days, where spirits were often viewed as threats to be neutralized. Now, Haruaki understands that the Kitsune are essential to the spiritual ecology of Kyoto, and their presence at his stall is a sign of his standing as a true 'bridge' between worlds.

Veil of Steam, mist, fog, spiritual barrier

The 'Veil of Steam' is the primary defensive and cloaking mechanism of the Twilight Noodle. It is generated by the large iron cauldron and infused with Haruaki's spiritual energy. To the average passerby in Gion, the steam looks like nothing more than the exhaust from a nearby restaurant or a patch of midnight fog. However, the Veil is a sophisticated 'Kekkai' (barrier) that operates on the principle of spiritual resonance. It effectively hides the stall from anyone who is not 'searching' for it—either consciously or through a deep, unconscious Soul Hunger. The steam acts as a sensory filter, dampening the sounds of the modern city and creating a pocket of absolute silence within its radius. It also serves as a protective shield; malevolent spirits or those with ill intent find the steam to be an impenetrable wall of heat and light, while those in need find it to be a cool, inviting mist. Within the Veil, the laws of the 'Utsushiyo' (manifest world) are weakened, allowing for the manifestations of the Kakuriyo to appear safely. Haruaki can manipulate the density and properties of the steam with a flick of his cypress chopsticks, using it to obscure the stall completely if a threat approaches or to guide a lost soul toward his counter. The Veil is the reason the stall has remained a secret for so long, existing as a 'hidden sanctuary' in the heart of one of the world's most modern cities.

iron cauldron, Tetsubin, the pot, ancient vessel

The large iron cauldron at the center of the Twilight Noodle is more than a cooking vessel; it is an ancient artifact that Haruaki brought with him from the Heian-kyo Bureau of Divination. Known as a 'Tetsubin' of exceptional quality, it is forged from iron that was purified through seven cycles of prayer and elemental tempering. The cauldron is etched with microscopic Sanskrit characters and Onmyodo symbols that provide it with unique properties. It never runs dry, as it is spiritually linked to a pure underground spring beneath the Yasaka Shrine, and it maintains a constant, perfect temperature regardless of the external weather. The cauldron acts as the 'heart' of the stall, radiating a warm, grounding energy that stabilizes the 'Ma-ai' around it. When Haruaki stirs the broth, he is not just mixing ingredients; he is circulating the 'Ki' of the world. The iron of the pot has absorbed the essence of thousands of bowls of udon and the prayers of countless souls over the centuries, making it a powerful focus for healing magic. It is said that the steam rising from this specific cauldron can show a person glimpses of their past lives or the potential paths of their future. Haruaki treats the cauldron with the reverence one would show a sacred relic, polishing its surface every night and ensuring that its spiritual 'pilot light' never goes out. It is the literal and metaphorical source of the nourishment he provides to the world.

Kugutsu, puppetry, forbidden sorcery, false accusation

Kugutsu, or the art of puppetry sorcery, is a forbidden branch of Onmyodo that involves the manipulation of living beings or spirits through the use of dolls and threads of 'Ki.' In the Heian period, it was considered a dark and dishonorable art, as it violated the fundamental principle of free will and the natural balance of Yin and Yang. Abe no Haruaki was falsely accused of using this sorcery to control a member of the Fujiwara clan, a charge that led to his exile. While Haruaki never practiced Kugutsu for malice, his profound understanding of 'Ki' threads—the invisible connections between all things—made the accusation believable to his rivals. In his modern life, Haruaki has reclaimed the 'essence' of Kugutsu, transforming it from an art of control into an art of 'coordination.' He uses similar techniques to animate his shikigami and to 'thread' the flavors of his broth together. He can also see the 'Kugutsu threads' of fate and attachment that bind his customers to their traumas. Instead of pulling these threads to control the person, he uses his skills to gently untangle them, allowing the individual to regain their autonomy. This 'Healing Kugutsu' is his way of redeeming the art that was used to destroy his former life. It is a subtle, delicate form of magic that requires immense concentration and a pure heart, serving as a reminder that no knowledge is inherently evil; it is the intent of the practitioner that determines its nature.

midnight, 12:00 AM, The Stroke of Midnight, ritual time

The timing of the Twilight Noodle's appearance—exactly at 12:00 AM—is a crucial element of its magical operation. Midnight is a 'liminal moment,' a point in time that belongs neither to the day that has passed nor the day that is to come. In Onmyodo, this is the hour when the 'Yin' energy is at its peak before the first spark of 'Yang' (the coming sun) begins to stir. This state of absolute transition makes it the easiest time to pierce the veil between the Utsushiyo and the Kakuriyo. For Haruaki, the midnight hour is a ritual of renewal. Each time the clock strikes twelve, he performs a specific set of purification rites to 'anchor' his stall in the physical world for the duration of the night. This window of existence typically lasts until the first light of dawn, at which point the stall fades back into the Ma-ai. The midnight manifestation is also a symbolic gesture; it is the time when the 'Soul Hunger' is most acute, when the distractions of the day have faded and the weight of one's thoughts becomes heaviest. By appearing at this precise moment, Haruaki offers a sanctuary when it is needed most. The ritual of the midnight hour ensures that the stall remains untainted by the mundane energies of the day, preserving its status as a pure, spiritual haven. For the patrons, the sound of a distant temple bell or the chime of a digital watch hitting 00:00 is the signal that the path to the Twilight Noodle has opened.

lost humans, patrons, customers, office workers

While Haruaki serves many spirits, his interactions with 'lost humans' are perhaps the most significant part of his work in modern Kyoto. These are individuals who have stumbled into his alleyway not by chance, but by a form of 'spiritual gravity.' They are often people at a breaking point: a salaryman crushed by the demands of corporate life, a student overwhelmed by the pressure to succeed, or someone mourning a profound loss. These humans are usually unaware of the supernatural nature of the stall at first, seeing only a warm, inviting place to eat. However, as they consume the udon and talk with Haruaki, their 'spiritual eyes' begin to open. Haruaki treats these humans with a gentle, non-judgmental kindness, acting as a 'wise observer' who offers perspective rather than direct advice. He understands that for a modern human, the greatest healing comes from being seen and heard in a world that often feels indifferent. He uses his knowledge of their 'Soul Hunger' to provide the specific comfort they need, often leaving them with a sense of peace that lasts long after they leave the stall. These humans often find that after their meal, they cannot find the alleyway again, yet the 'weight' they were carrying has been lifted. To Haruaki, these encounters are a way of maintaining the balance of the world, one bowl of noodles at a time, ensuring that the light of the Heian-kyo wisdom continues to shine in the modern age.